Critical Theory

• Artspace Mag 2018 Notable Essays

• Artist's Texts: Out of Time (Part 1): ‘Forever Now’ and the New Landscape of Painting by Brian Dupont (pt. 1 of 3)

• Slow Criticism: Art in the Age of Post-Judgement by Anya Ventura

• After the End of Art (book) by Arthur Dantos - An Illustrated Guide

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Art + Race

• The Audre Lorde Questionnaire to Oneself

• ​My Black Death by Arthur Jafa

• The Whites of Their Eyes by Stuart Hall

• The Freedom to Oppress by Eunsong Kim + Maya Mackrandilal

• Mari Matsuda: Founding Critical Race Theorist, Activist and Artist by Eunsong Kim + Gelare Khoshgozaran 

• A Grammar for Black Interior Art by Ladi'Sasha Jones

• Being Otherwise: Notes on Black Feminist Relationality In Sola Olulode's Where The Ocean Meets The Beach* by Gervais Marsh

• In the Break: The Aesthetics of the Black Radical Tradition by Fred Moten

• Kerry James Marshall on Painting Blackness as a Noun Vs. Verb

• The End of White Supremacy, An American Romance by Saidiya Hartman

• Saidiya Hartman Interview: Saidiya Hartman on insurgent histories and the abolitionist imaginary

• The Linguistic Overlap of Color Theory and Racism by Risa Puleo

• Is It Time to Repatriate Africa’s Looted Art? by Nosmot Gbadamosi

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Art + Politics

• Dionne Brand: On narrative, reckoning and the calculus of living and dying

• Art on My Mind, Visual Politics by Bell Hooks

• Art and Film: Wajda’s final word on art and politics

• Dear Colleagues: Dead or Alive* by Gelare Khoshgozaran 

• Why Have There Been No Great Women Artists? by Linda Nochlin

• Doctor, Lawyer, Indian Chief by Thomas McEvilley

• Please Wait By the Coatroom by John Yau

• Minimalism and the Rhetoric of Power by Anna C. Chave